A film documenting the early beginnings of Occupy LSX.
The focus is Day 2, the first morning of the camp outside St Paul’s cathedral. The protesters, uncertain how long the camp will last, begin to make steps to stay indefinitely.
Latest
Duologue – Push It / Endless Imitation
We’ve been working with Duologue on two videos to accompany their ‘A-B’ EP release. One for the track Endless Imitation, shot on the expansive Brecon Beacons 620m above sea level, and a live performance film for Push It in a rather more intimate space.
Both have been launched online and are available to view at duologuemusic
Headbanger
Good news! Headbanger has won the best CINEMATOGRAPHY award at the Bornshorts film festival.
Headbanger is a short film created for London’s 2011 Square Art exhibition. Music by Gyorgy Ligeti & Part Chimp.
Waylayers – Hear No Lies
New video for East London trio Waylayers.
The atmospheric, electro-pop sound of Hear No Lies allowed us to combine a clean look with some of our more experimental urges. There’s light trails, light stencils, patterns and overlays, all interacting with the band throughout.
Mt Desolation – Departure
Departure is Mt Desolation’s first release from from their debut album. The band’s line-up includes members of Keane, Noah & The Whale, The Killers, The Long Winters, The Staves and Mumford & Sons.
The artists recorded themselves on webcams or personal video cameras and were brought together through the polaroid concept of the video.
Laura Marling – Cross Your Fingers
We shot, edited and then re-photographed the edit on a rostrum setup to give a distinctive look to the promo. Using almost 2000 sheets of A4 paper, we very nearly brought the rented HP Color Laserjet to its knees.
Laura Marling – New Romantic
Having done some filming with Laura during the recording of her debut album, we were invited to make a video for the 2007 EP New Romantic. It’s since had a staggering number of views on youtube – over 3 million the last time we checked.
Our main aim was to capture the mixture of attitude and vulnerability in her vocals. The shadows were created via a mixture of old school lighting and post production work. Hopefully you can’t tell which is which.